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    Tony Montana is an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress in the process.

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    Viewed today, while Scarface seems less shocking than it did during its initial theatrical run, it's no more substantive or interesting.

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    An unashamed study of selfish, sadistic criminality, and all the better for it.

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    What were Pacino's detractors hoping for? Something internal and realistic? Low key? The Tony Montana character is above all a performance artist, a man who exists in order to gloriously be himself.

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    I like it as a kind of B-movie version of The Godfather. There are a lot of classic lines and a handful of memorably horrific scenes ...

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    The dominant mood of the film is anything but funny. It is bleak and futile: What goes up must always come down. When it comes down in Scarface, the crash is as terrifying as it is vivid and arresting.


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