2001: A Space Odyssey
Humanity finds a mysterious, obviously artificial, object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest.
@CelebrateTheEclipse RT @HumanoidHistory: Classic Robert McCall #space art featured in an Italian poster for Stanley Kubrick's #scifi epic 2001: A SPACE ODYSSEY…4 minutes ago
@Neil King Just watched "2001: A Space Odyssey" again in prep for November #mcmBHM16. Still amazing visuals from 9 years before #StarWars! @MCMComicCon8 minutes ago
@自来坂 RT @HumanoidHistory: Classic Robert McCall #space art featured in an Italian poster for Stanley Kubrick's #scifi epic 2001: A SPACE ODYSSEY…24 minutes ago
@Metal Gear Ebooks Hal “Otakon” Emmerich was named after Hal 9000 from “2001: A Space Odyssey”.42 minutes ago
markuspm There are many great predictions hinting to future (it is from 1968 - can you believe it?) innovations throughout the movie. I might not have found all them because I keep falling asleep while watching it but I will keep trying to find them all.
Penelope Gilliatt Stanley Kubrick's 2001: A Space Odyssey is some sort of great film, and an unforgettable endeavor. Technically and imaginatively, what he put into it is staggering.
Jonathan Rosenbaum The film's projections of the cold war and antiquated product placements may look quaint now, but the poetry is as hard-edged and full of wonder as ever.
Dave Kehr It was a freshening attitude then, though its long-term effects haven't been all to the good.
Geoff Andrew For all the essential coldness of Kubrick's vision, it demands attention as superior sci-fi, simply because it's more concerned with ideas than with Boy's Own-style pyrotechnics.
Glenn Lovell Yup, you guessed it -- a religious experience.
Stephen Hunter Now, seen in the actual 2001, it's less a visionary masterpiece than a crackpot Looney Tune, pretentious, abysmally slow, amateurishly acted and, above all, wrong.
Desson Thomson You can watch 2001 as a visual journey with nary a thought for what's under the surface or you can plunge into this vortex of interpretations. The great thing about 2001 is that either approach works fine. That's why it endures.
Robert B. Frederick 2001 compares with, but does not best, previous efforts at science fiction.
Renata Adler The movie is so completely absorbed in its own problems, its use of color and space, its fanatical devotion to science-fiction detail, that its is somewhere between hypnotic and immensely boring.
Scott Rosenberg I assumed that this was what all movies ought to be: treasures for moral and aesthetic contemplation that did not provide all their answers on first contact.