Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan—with help from a bail bondsman—to keep the money for herself. Based on Elmore Leonard's novel "Rum Punch."
@street trash I think I've probably seen Jackie Brown before but if that's true, I was drunk. So this still feels like my first time1 minute ago
@jackie z RT @grangershug: so in the best actress in a tv series category katherine langford is nominated while emilia clarke and millie bobby brown…53 minutes ago
Eky Quentin Tarantino, a genius who brought us Pulp Fiction and Reservoir Dogs returned with Jackie Brown, a tale of deception in the world of drugs-smuggling business. Heavily inspired by the 1970’s blaxploitation flicks, it tells the story of a stewardess, Jackie Brown (Pam Grier) who was pinned inside the cash-smuggling business as she’s tormented between two choices, becoming a cash-mule and in the end snitching her own boss or being smart by keeping the money for herself. It’s quite rare to see a film where the leading role is a female. Even though the plot relies quite much on Elmore Leonard’s novel Rum Punch, Tarantino really did great in giving his own personal touch to the existing materials by adding up a fine composition of clever dialogue, dark humor, and even the ultra violence in the forms of gun-battling badasses, drugs, and absolutely very graphic language, making it absolutely a typical Tarantino flick. This film also possessed its own controversies that put Tarantino in the prosecuted seat because of his frequent use of the word “nigger”. This serious accusation was made by Spike Lee who furiously (while busy counting) noted that was used 38 times, excessively, throughout the film and he claimed that it’s an abuse and definitely an insult to black people. Apart from the above accusation, in my opinion, Jackie Brown, with its strong casts from Pam Grier, Bridget Fonda, Robert Forester, and Samuel L. Jackson, Michael Keaton and Robert De Niro really add up to the greatness of the film. The way I see it, every cast here is given a complex set of character for us to study. Both De Niro and Keaton, despite their small roles, they remain favorable and memorable.
David Ansen The tale is filled with funny, gritty Tarantino lowlife gab and a respectable body count, but what is most striking is the film's gallantry and sweetness.
Jonathan Rosenbaum Quentin Tarantino puts together a fairly intricate and relatively uninvolving money-smuggling plot, but his cast is so good that you probably won't feel cheated.
David Edelstein The film is more Jarmusch than Peckinpah -- its soul is in the minutiae.
Todd McCarthy Offers an abundance of pleasures, especially in the realm of characterization and atmosphere.
Geoff Andrew Tarantino's finest, most mature movie to date.
David Denby Working from an Elmore Leonard novel, Tarantino has created a gangster fiction that is never larger than life and sometimes smaller.
Jeff Millar Turns out that author Elmore Leonard and director Quentin Tarantino are not the odd couple after all.
Stanley Kauffmann The flat, self-exposing dud that fate often keeps in store for the initially overpraised.
Charles Taylor [Tarantino] wanted to give Grier a role worthy of her, and he has. If only he'd given her a movie worthy of her as well.