Brazil is a Terry Gilliam dystopic black comedy film that reflects the melancholy, dreamlike quality of a famous Brazilian song that’s been translated into English. The film parodies the mostly dysfunctional bureaucratic world we live in and takes us to a post-apocalyptic world in the future yet with our present day attitudes in mind.
@❧ łıαηηє 憂鬱 ღ ☙ RT @minseokanalha: Deixou de acompanhar o show do EXO no México p ir flodar o instagram do Baek com COME TO BRAZIL ja sei q merece a medalh…19 seconds ago
@Naty♫ RT @cheweibacca: bbk: "recebi muitos comentários no ig sobre vir ao mexico" exo-l br amanhã: *lotando ig dos membros com COME TO BRAZIL* #…28 seconds ago
Joe Morgenstern [A] darkly funny and truly visionary retro-futurist fantasy.
Dave Kehr Terry Gilliam's ferociously creative black comedy is filled with wild tonal contrasts, swarming details, and unfettered visual invention -- every shot carries a charge of surprise and delight.
John Hartl For all its occasional long-windedness and visual dazzle, Brazil may be the Strangelove of the 1980s.
Michael Atkinson Gilliam understood that all futuristic films end up quaintly evoking the naive past in which they were made, and turned the principle into a coherent comic aesthetic.